“It took a while for me to understand I had to take letters that I don’t find pretty so it’s more representative of his handwriting. “I turned off my own esthetic instincts,” said Geisler, who has created 28 fonts, including another based on the handwriting of psychoanalyst Sigmund Freud. He said getting that sense of how Einstein’s hands moved was crucial as it allowed him to then produce symbols such as the sign - something Einstein didn’t use - in a manner he believes is true to the scientist’s penmanship. He would magnify the letters on a computer screen and, with a digital pen, trace and retrace the movements that were used to create them. Geisler said he looked for five variations of each letter in both uppercase and lowercase. When you work on a formula, in the end you want it to be beautiful, and so this is also how you want your pages to look. I think that is also his relationship to math. “Maybe not controlled, but everything is in order. “His handwriting is very small, very regular,” said Geisler. Einstein’s penmanship was very neat and legible. Geisler, now 35, began meticulously studying the writings of the genius, particularly documents and letters he wrote around 1920, when he was in his early 40s and quite prolific. She suggested emulating Einstein’s penmanship. Waterhouse, who trained as a computer programmer while studying physics at Harvard, wondered aloud if Geisler could create digital handwriting that appeared more lifelike. There was a reproduction of handwriting on a napkin, but it was uniform. The idea for the Einstein font arose out of a challenge between Waterhouse and Geisler as they sat in a café in Frankfurt, where they live. Helvetica hero Mike Parker was a legend of typography: obituary

That time an impressive collection of 20th century typography was thrown in the trash Now that 2,334 backers have kicked in $55,577 (U.S.), Geisler will continue to refine and improve the font, hoping to release it before the end of 2015, the centennial of Einstein presenting his general theory of relativity. Geisler and his collaborator, Elizabeth Waterhouse, began working on the font in 2009, producing a prototype. Harald Geisler, one of the font developers, said in his pitch that he liked to imagine “that when one uses Einstein’s handwriting as a font, a spark of his genius potentially could reflect in one’s own writing.”

Even if you’re not a genius, you can write like one.Ī Kickstarter campaign launched by a typographer in Germany recently raised the money to develop a computer typeface mimicking the handwriting of Albert Einstein, the brilliant 20th-century physicist.

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